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Logic pro x create duplicate track free download

To start the conversation again, simply ask a new question. I see documentation on how to duplicate a track without the events, logic pro x create duplicate track free download retaining the channel settings Posted по ссылке Feb 9, AM.
Aug 15, PM in response to racingheart In response to racingheart. Duplicate the track. Then Click on the Track header to select all regions on current track or all regions within an active cycle area on that track and option-drag them on to the newly created track.
Aug по этой ссылке, PM. If you have Logic set up to do so yes. The first will open the “New track dialog. The second will create a duplicate of the selected track with it’s channel strip settings.
All you need to do is duplicate the regions if desired. Page content loaded. Aug 15, PM in response to rounik music In response to rounik music. Communities Get Support. Sign in Sign in Sign in corporate. Browse Logic pro x create duplicate track free download.
Ask a question. User profile for user: racingheart racingheart. More Less. Reply I have this question too 19 I have this question too Me too 19 Me too. Helpful answers Drop Down menu. Aug 15, PM in response to racingheart In response to racingheart Duplicate the track. View answer in context. Aug 15, PM in response to racingheart In response to racingheart racingheart wrote: Does that copy all your automation parameters too? It seems that a simple Duplicate Track function is missing.
Loading page content. Reply Helpful 1 Thread reply – more options Link to this Post. Aug 15, PM in response to rounik music In response to rounik music Does that copy all your automation parameters too? Reply Helpful Thread reply – more options Logic pro x create duplicate track free download to this Post. Aug 15, PM in больше на странице to rounik music In response to rounik music Thanks for taking the time to answer, rounik!
User profile for user: rounik music rounik music. Aug 15, PM in response to racingheart In response to racingheart No problem! Ask a question Reset.
Logic pro x create duplicate track free download. Untitled — Logic pro x create track alternative…
Hello Logic users, Mike here. If you have a well crafted project template in Logic Pro X you will have an amazing way to speed up the start of a new track, and the workflow when composing, producing, mixing etc. The first thing I recommend you to do, is to create the fundamental instrument groups in your project template. Well for several reasons. But mainly because you will rownload an organized sequencer with all tracks in their respective group folder.
And also because it will help you in the mixing process, where mixing groups is essential both to duplixate up the mixing workflow, as well as get better separation and clarity in your final mix. So what instrument groups should you create?
Well, this is completely up to you. But ask yourself this:. Or do you want to group instruments based on their specific purpose in the composition One logic pro x create duplicate track free download for rhythmic instruments, another for the main theme, perhaps a group for transition sounds trafk.
Both kits and individual percussion instruments and sounds. Which can range anywhere from acoustic drum kits, to electronic drum kits, to downnload percussion, and basically any type of percussive sounds including synthesized percussion and sound design hits. The instruments and sounds I have http://replace.me/46814.txt here are all focused on the low-end frequency range.
For example: electric, acoustic and synth basses. As well as orchestral duplicatee in the low-range like double basses, tubas, contra bassoons, and sometimes even low cellos. The point is that I do this to help in the mixing process, because I will have all the low-end focused instruments and sounds in this group. These are all the instruments that add drive, pulse and energy to the composition, but are logic pro x create duplicate track free download purely percussion based.
Meaning these can play notes, harmonies or even chords. Basically every instrument that is backing the logic pro x create duplicate track free download themes, melodies and so on.
This means instruments playing parts like chords, harmonies, arpeggios and so on, that supports the main theme of the music. Because in downloas group I will have the tracks and logic pro x create duplicate track free download playing the main themes, leading melodies, motifs, hooks and riffs. The things you hum along to when you hear the music. This can be transitions effects or sound design elements.
It can be sounds that add atmosphere and ambience. Basically all the extra details that will spice up the final music composition. So now it is your turn. Take action, and start your new master template in Logic Pro X, by creating the main logic pro x create duplicate track free download groups that make sense for your way of composing and producing music.
After you have created your instrument groups in well named folders, I recommend setting up all the main send effect busses you will use. Personally I only have reverbs and delays as send effects, but I do have dupilcate versions of each of these effects so I can choose the proper one for any track in my mix.
My first send effect is a huge reverb that I usually base on a cathedral type reverb preset or similar with a very long decay time, anywhere from around 7 logic pro x create duplicate track free download 15 seconds long. I mainly use it for background ambience, sound effects, pads or any type of sound I really want to push far into the background of the mix.
The next send effect is a concert hall reverb which I use when I want to get a deep and lush room sound. I usually choose a decay of the hall preset around 3,5 to 4 seconds. Next I have a scoring stage reverb with a room tone decay around 1. This is very important for more focused cinematic instruments and sounds in the mix.
For example the low-end orchestral sounds, as well as the main theme. Then I have plate reverb with a warm setting which is great on vocals, big drums, guitars or any instrument I microsoft project professional 2016 download free to add some warmth and depth to. Нажмите чтобы увидеть больше this specific plate reverb I have a preset with around 2 seconds decay time.
And I also heavily filter out the high-end to make the reverb very warm and lush. The final reverb send effect Fred have is a smaller room. I often use a studio reverb preset, with a decay time between 0. Sometimes even lower. This is mainly to add some depth and space to a sound without drenching it in reverb. Then I have straight quarter note delay effect, on a warm tape setting with heavy low and high-pass filtering.
I mainly use this delay as an effect type echo. Basically adding depth without smearing the sound as much as reverb does. I cuplicate done this so that I will clearly see what type of send effects I send to in all the sends of all my channels in the mix. Now it is time for you to take action, and create all your main send effects in your master Logic Pro X template. Be sure to name them well, order them in the send effect chain, and wisely choose and shape the preset of each send effect.
Now when it comes to insert effects I перейти на источник going easy. You can always add more later, but this is the starting template you are creating after all.
Personally Duplicaate only add insert effects on the channel groups logic pro x create duplicate track free download my project template, not the individual tracks. Think about what insert effects you will always use, because that is the purpose of your ссылка на страницу project template.
Having everything added, organized and connected that you will always have for every new track you compose and produce. Personally I like to use mostly native Logic effect plugins in the master template, and then switch some 10 download for students free download them out in the mixing stage. Now it is time for you to take action, and add all the main insert effects in your master template.
Make sure to only add the most essential effects, and I recommend focusing on the channel groups for your main insert effects. I personally do the mastering inside the same project as I compose and produce my tracks. That is why I want to have the mastering chain already set up with the main effects added on the master stereo output.
What effects you add here, and in what order, is very individual. However, the fundamental purpose of mastering is to shape the tone and character of the final sound, polish the EQ range, transients etc. And finally shape the dynamics and loudness ccreate. To give you some ideas for creating your own mastering effect chain, I will craete share how I currently have mine setup:.
Now, as a final tip I recommend keeping all the plugins on the master chain turned off when you compose and produce your track, and only turn them on while you are actually in the mastering stage. Because these plugins will otherwise steal CPU power, and even more importantly, your focus on the actual composition. Now it is time for you to take action, and create your final mastering по этому адресу with all the effects on the master stereo output.
Adding colors to your tracks and regions is a great way to keep things organized, and give you a clear overview of your project. I personally like to have a system for my color theme. Meaning I use the same kind of colors for the same kinds of tracks. This way I can open up any project that I worked on, and instantly see all the bass parts, percussion downlozd, melody creatr etc.
What you choose as your color theme is of course completely up to you. But I recommend using your groups as the starting point. And I also recommend going with your intuition.
What color do you intuitively associate with drums? Use that color. And then you do this for each group in your master project template. Power Tip : You can also add variations of the main group color for the individual tracks inside each group. Naming your tracks and regions dup,icate a clear way, and using your own personal system for it, is also very important for a clear overview in any project you work on.
Personally I always use capital letters for the track names, because I want to be able to see them clearly on my retina screen. I find the most essential things to include in the logic pro x create duplicate track free download name is the instrument type, plus a short description of the sound its and main purpose in the composition. Example 1: Cellos Ens Short Means the instrument type is cello, in an ensemble, and the main purpose is to play short что, jre 1.3 1 for windows 10 как. For example: staccato and spiccato articulations.
Example 2: Violin Solo Theme The instrument type is a violin, in solo, and the main purpose is to play the trakc melodic theme. For example: sustains and legato articulations.
Example 3: Brass Ens Accents Means the instrument type is a full brass section, in an ensemble, and the main purpose is to play accents. Which means short note articulations with emphasis on the start, like marcato, stabs etc. The main point in creating your own naming system, is to come up with a way to describe any track in any project briefly and clearly to yourself.
So that you instantly can understand what each track in your composition is all about. Power Tip : If you want to get really fancy, you can even name нажмите для продолжения individual regions on a track. Logic pro x create duplicate track free download I mostly leave the regions with the same name as the track they are on, but sometimes I add a region name to show something more specific about a particular downlpad.
Now it is time for you to take action, and create your own naming system, in a way that suits your way of describing the tracks in your project. A great thing in Logic Pro Logic pro x create duplicate track free download, is that you can customize your track headers in the sequencer.
There are many features to choose to add, or exclude from the track headers. Next you need to decide what you want to include.
For example, do you really need a panning knob and volume fader on the track headers? I personally use the track inspector and the mixer for making adjustments, so I have skipped those. However, I do use the freeze function a lot, so I want to have that button available in the track dulicate.
I also use track alternatives, so I have added that as well. Personally I like to keep the project layout as clean and minimal as possible, to avoid cluttering the workspace.
Logic pro x create duplicate track free download.How to Create a Logic Pro X Template
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Logic Pro X 新機能解説 久々の大型アップデートで登場!
The final reverb send effect I have is a smaller room. I often use a studio reverb preset, with a decay time between 0. Sometimes even lower.
This is mainly to add some depth and space to a sound without drenching it in reverb. Then I have straight quarter note delay effect, on a warm tape setting with heavy low and high-pass filtering.
I mainly use this delay as an effect type echo. Basically adding depth without smearing the sound as much as reverb does. I have done this so that I will clearly see what type of send effects I send to in all the sends of all my channels in the mix. Now it is time for you to take action, and create all your main send effects in your master Logic Pro X template. Be sure to name them well, order them in the send effect chain, and wisely choose and shape the preset of each send effect.
Now when it comes to insert effects I recommend going easy. You can always add more later, but this is the starting template you are creating after all. Personally I only add insert effects on the channel groups in my project template, not the individual tracks. Think about what insert effects you will always use, because that is the purpose of your master project template.
Having everything added, organized and connected that you will always have for every new track you compose and produce. Personally I like to use mostly native Logic effect plugins in the master template, and then switch some of them out in the mixing stage. Now it is time for you to take action, and add all the main insert effects in your master template. Make sure to only add the most essential effects, and I recommend focusing on the channel groups for your main insert effects.
I personally do the mastering inside the same project as I compose and produce my tracks. That is why I want to have the mastering chain already set up with the main effects added on the master stereo output. What effects you add here, and in what order, is very individual. However, the fundamental purpose of mastering is to shape the tone and character of the final sound, polish the EQ range, transients etc. And finally shape the dynamics and loudness level. To give you some ideas for creating your own mastering effect chain, I will now share how I currently have mine setup:.
Now, as a final tip I recommend keeping all the plugins on the master chain turned off when you compose and produce your track, and only turn them on while you are actually in the mastering stage. Because these plugins will otherwise steal CPU power, and even more importantly, your focus on the actual composition. Now it is time for you to take action, and create your final mastering chain with all the effects on the master stereo output.
Adding colors to your tracks and regions is a great way to keep things organized, and give you a clear overview of your project.
I personally like to have a system for my color theme. Meaning I use the same kind of colors for the same kinds of tracks. This way I can open up any project that I worked on, and instantly see all the bass parts, percussion parts, melody parts etc. What you choose as your color theme is of course completely up to you.
But I recommend using your groups as the starting point. And I also recommend going with your intuition. What color do you intuitively associate with drums? Use that color. And then you do this for each group in your master project template. Power Tip : You can also add variations of the main group color for the individual tracks inside each group. Naming your tracks and regions in a clear way, and using your own personal system for it, is also very important for a clear overview in any project you work on.
Personally I always use capital letters for the track names, because I want to be able to see them clearly on my retina screen. I find the most essential things to include in the track name is the instrument type, plus a short description of the sound its and main purpose in the composition. Example 1: Cellos Ens Short Means the instrument type is cello, in an ensemble, and the main purpose is to play short notes. For example: staccato and spiccato articulations. Example 2: Violin Solo Theme The instrument type is a violin, in solo, and the main purpose is to play the main melodic theme.
For example: sustains and legato articulations. Example 3: Brass Ens Accents Means the instrument type is a full brass section, in an ensemble, and the main purpose is to play accents.
Which means short note articulations with emphasis on the start, like marcato, stabs etc. The main point in creating your own naming system, is to come up with a way to describe any track in any project briefly and clearly to yourself. So that you instantly can understand what each track in your composition is all about. Power Tip : If you want to get really fancy, you can even name the individual regions on a track.
Personally I mostly leave the regions with the same name as the track they are on, but sometimes I add a region name to show something more specific about a particular performance.
Now it is time for you to take action, and create your own naming system, in a way that suits your way of describing the tracks in your project.
A great thing in Logic Pro X, is that you can customize your track headers in the sequencer. There are many features to choose to add, or exclude from the track headers. Next you need to decide what you want to include. For example, do you really need a panning knob and volume fader on the track headers? I personally use the track inspector and the mixer for making adjustments, so I have skipped those. However, I do use the freeze function a lot, so I want to have that button available in the track headers.
I also use track alternatives, so I have added that as well. Personally I like to keep the project layout as clean and minimal as possible, to avoid cluttering the workspace. I want to focus on the most important aspects of the music composition, and the features I mainly use.
But you have to make these choices for your personal workflow. For example, some of the things I have decided to skip are track numbers and track color bars, because I simply think they take up screen estate and clutter my interface.
Btw, colors are still used on the tracks, but instead of showing them as bars in the track headers you will get them when you record a new part on the track itself.
Power Tip : When you have created a setting that you really like, you can actually save it as your default track headers setting. This way you can call it up in another project in case you did not start that project from your master project template. Go ahead and setup your personal favorite track headers customization, and I also recommend saving it when you are done.
What features and buttons you choose to include in the top control bar is very much dependent on your personal preference and workflow. That is why I strongly recommend you to set it up and save it with your master project template. Because this way, every time you start a new project, you will have a control bar set up exactly as you want it. Personally I want to have all the view mode buttons accessible from the control bar, even though I mainly use key commands to open and close them.
It makes it clear which view modes are open and active. I have a very minimal transport section in the control bar, with only the essential buttons. Here I have added everything. In fact, these features in the display area are probably most important to me as a composer. I want instant feedback on everything in my project.
For example: the tempo and key. To be able to see the varispeed setting, and easily change it. The grid division, the CPU meter, project length in bars, and so on. This is a section that is very personal how you set up. I have chosen the following default settings for my workflow: Replace, autopunch, low latency mode, punch in and punch out section, tuner, solo mode, count in, and click meaning metronome. Power Tip: As with many settings in Logic Pro X, you can in fact save your control bar setup as your default settings.
I recommend that you do so after you are satisfied with the layout you customize for your workflow. There is also a secondary toolbar in Logic Pro X, that you can customize in the same way.
But personally I hardly ever use it. Now go ahead and customize the control bar in your master project template, as well as the secondary toolbar if you use that. There are s of settings you can choose and customize in Logic Pro X. Many of them you set on a global level, in Logic Pro X preferences. But some of them are set on a project level, which is why it is very important that you do this step properly and save it with your master project template.
You simply go to the file menu, then project settings, and then you start with the general tab and go through all tabs one by one. Power Tip : There are also some things you might want to save with the project template that are not part of the project settings, but rather saved with the sequencer with your project. For example, the global tracks setup, all the markers you might want to start with, track inspector settings that you might want to have as your default…and so on.
Go ahead and set your project settings now. What specific settings you want to use is up to you, but the point is to save them with your master project template, so that all project settings are as you prefer as soon as you start a new track. One of my personal favorite workflow boosting features in Logic Pro X is to create custom screensets.
What are screensets you may ask? Well, basically it is predefined view modes and windows of Logic that you save as a preset. For example: my main screenset is the sequencer in full screen mode on my main monitor, and the piano roll in full screen on my second monitor.
My second screenset is focused on mixing. With the mixer in full screen on the main monitor and the sequencer on the second monitor. But even some settings are stored in the screensets as well. For example: in my mixing screenset I have made some customizations in the mixer view to hide certain aspects, focus on others etc.
Those settings are stored in my custom screenset. I also have a step editor screen set for editing multiple CC automation lanes, which I have set up with the most common CC values I automate in my workflow. And this lane set will be loaded up just like this every time I switch to this particular screenset that I saved after setting this up.
To create a new screenset is very simple. Just use your numbers on your keyboard the numbers above the main characters, not the numpad. When you click on a number that is already a stored screenset it will switch screenset. And when you click on a number that is not yet used, a new screenset is created.
Then you can open up windows, arrange them, resize them, design the settings in those windows like I just showed in my examples. Power Tip : You can even name your screensets for better clarity. Go ahead and create your own screensets in Logic Pro X now, and save them in your master project template.
This way you will have your own perfect screenset workflow instantly available in every new project you create using your master template as the start. Here you can find default transform presets like fixed velocity, fixed note length, and humanize. Then if you check the presets in the upper left you will see that on the bottom there is an option to create a new transform set. Then you simply set it up as you want it. Finally you can click in the preset box to change the name. Write in the name of the preset you created and click enter.
Logic will ask you if you want to rename the current preset, or create a new one. Whether you are into acoustic, jazz, electronica or rock, this software package is the best there is and gets updated constantly by Apple. Apple takes this software very seriously and I commend them for their excellence. Version However, it does have on issue now with Flex Pitch and Flex Tim. Total disaster when only trying to use Flex Pitch and not edit the time.
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